(script read at the Media Press Conference for the opening of the Forbidden City: Inside Court of China's Emperors at ROM, March 5, 2014)
Good morning, ladies and gentlemen and
members of the media. I am honored by the presence of so many special guests
with us here today as the ROM is now ready to open its gates to the Forbidden
City.
I am pleased that you are with us on this
historic occasion - this is the very first opportunity for Canadians to view
the Imperial Treasures, and to experience life inside the Forbidden City. For
500 years, it was accessible to only Chinese emperors, their immediate families
and thousands of their servants. The average person, like you or me, was
forbidden to know anything about – or to go within - the walls of the Forbidden City . Now we bring the Forbidden City to life
right here at the ROM.
In the heart of Beijing , sits the largest palace complex in the world –
the Forbidden City . It was home to China ’s last 24 emperors during the
Ming and Qing dynasties. Tales about the lives of these powerful rulers and their
imperial families who lived inside this mysterious place have captivated us for
years.
Shortly after the
revolution, in 1925 the Forbidden City was
turned into the a public institution which opened its palace doors to everyone.
Today, the Palace
Museum houses a collection
of over 1.8 million objects, many of which were hidden away in the vaults,
unknown and unseen, until recently.
In 2009, the ROM was
privileged to become the sole official Canadian partner with the Palace Museum
– China’s largest museum. Since then, the ROM and the Palace Museum
have explored opportunities to exchange exhibitions and engage in research and
training programs. Our partnership with the Palace Museum
speaks of the ROM’s long-standing contributions and commitment to developing
important exhibitions in collaboration with respected, international
institutes. Certainly, The Forbidden City, in collaboration with the Palace Museum ,
is the most ambitious undertaking to date.
It took Emperor Chengzhu of
the Ming Dynasty 14 years to build the Forbidden City .
And, it has taken ROM curators and dozen of staff more than two years to make this
spectacular exhibition. The most exciting part of planning for me, is in
December 2012, over the Christmas holidays, I, along with my two colleagues,
Dr. Wen-chien Cheng, the exhibition co-curator and the ROM’s Chinese painting
specialist, and Dr. Sarah
Fee, the exhibition advisor and the ROM’s textile and costume curator, spent a week in the Palace Museum’s collection
vaults, where we selected 250 of the finest, significant, and historically rich
objects to be displayed in the ROM’s exhibition. None of these objects have
ever been seen anywhere in Canada ,
AND more than 80 artifacts have never travelled outside the
walls of the Forbidden City . ROM visitors will
be the first to see these treasures outside the Palace walls. Today, YOU are the first to see these treasures. AND you will see….
·
A ceremonial suit of armour
made more to dazzle than protect
·
The finest and rarest of
all Ming Dynasty porcelains—only two original Chenghua chicken cups survive in
the Palace Museum
·
Jades that have been
sentimental to Chinese for more than 8,000 years
·
The brushwork of one of the
most talented and artistic emperors
·
A dragon robe worn by a
6-year-old emperor on his inauguration
·
A gilt bathtub used by the
last emperor of China ,
Puyi
·
A silk coat for the royal
dog – even the family pets were treated royally!
…And many more for you to discover on your own as you
travel through the exhibition.
Due to the large presence
of light-sensitive objects, there will be an extensive rotation at
approximately the half-way point of the exhibition’s ROM engagement. I promise
it will be worth a return visit!
Once my colleagues and I
chose the objects, the exhibition started to take shape. The exhibition focuses
on three storylines within the Forbidden City :
people, places, and events. Main characters, such as Emperors Yongzhen
and Qianlong, are highlighted with selected objects. Together, these two great
rulers built the greatest empire in the entire 18th century in the East. Empress Dowager Cixi - a towering and
controversial presence during the twilight of the dynasty - is profiled as are
officials, concubines, eunuchs, children, and foreign Jesuits. An interactive
map is seen throughout the exhibition, raising the profile of major
architectural complexes connecting the lives of people and objects on display.
Narratives can be traced through objects and unfold in relation to the people,
their characters, and the places they once inhabited.
These stories are
illustrated throughout the exhibition by way of five sections, which
incorporate five themes: Power and Privileges, Life within the Palace,
Emperor’s Study and Collections, Fascination with Western Cultures, and
Palace Museum . The exhibition’s layout and
design follows the palace’s architectural design, and echoes the Forbidden City ’s structural concept. The exhibition
begins with an outsider’s view. However, as visitors make their way through the
exhibition, they will experience first the Outer Court and then the Inner Court as they
move increasingly into the palace’s restricted areas. Ultimately, access is
gained to the most private space of all: the emperor’s personal study.
Power and prestige exposes
how emperors were presented to the outside world, and ultimately how their
private lives were concealed deep within the palace’s opulent interior realm.
In the Outer Court ,
which is the exhibition’s section 2, the viewer witnesses the impressive world
of luxury and imperial grandeur, power and ritual serenity. Here, objects tell
stories of grand public events, stately ceremonies, imperial weddings,
birthdays, New Year celebrations, and royal hunting excursions in the
surrounding gardens. Among the highlights is a spectacular throne of lacquer,
jades, and ivory. You cannot miss it, it is that grand!
Section 3 highlights The
Inner Court and represents the female realm, a private space for the everyday
lives of the emperors and their families. Here, we experience a sense of
secrecy - expressed through informal displays.
The palace’s most private
areas are revealed in section 4. Once restricted to all but the emperor
himself, this is where the emperor’s artistic cultivation and mind-blowing
imperial treasures are dramatically showcased for everyone’s viewing enjoyment.
Finally, Section 5
reveals the Twilight of the Last Dynasty, and portrays the Forbidden City’s last chapter as it began its transformation
into what is known, today, as the Palace Museum. Here, visitors learn about the fall of the
empire during the last dynasty and the fate of the imperial palace’s precious
treasures.
Following the ROM’s
engagement, the exhibition will travel to the Vancouver Art
Gallery from October 18,
2014 to January 11, 2015. After they travel to these two Canadian venues only
- the treasures will return to Beijing , and back
to the Palace Museum ’s highly secured vaults and
storage areas. I believe they will not travel again in the same assemblage.
ROM curators, designers,
conservators, registrars, and many other support staff have worked around the
clock to bring you this exhibition. Together with our colleagues, and now our
good friends from the Palace Museum, I firmly believe that we have
delivered a once in a lifetime, and fully memorable, experience of life in the
Forbidden City. I am also honoured that The Forbidden City is considered
to be the centerpiece exhibition of the ROM’s upcoming Centennial – a year-long
celebration launching on March 19.
As I finish, I would like
to take this opportunity to thank the Robert H. Ho Family Foundation, the
exhibition’s Presenting Sponsor, and Manulife Financial, its Lead Sponsor, for their
generous support in helping us create this magnificent exhibition, and for making
the Forbidden City accessible to the people of Toronto, Ontario, and Canada.
Ladies
and Gentlemen, welcome to the Forbidden City .
Thank you, and enjoy your visit.
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